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escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
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